Shouzheng, Huang (2025) Investigating the relationship between ceramic art and digital technology tools for ceramics. Doctoral thesis, Universiti Utara Malaysia.
Abstract
Ceramic art has long been an integral part of Chinese cultural heritage, deeply rooted in traditional craftsmanship and artistic expression. However, advancements in digital technology have introduced new tools that are reshaping the creative and manufacturing processes. While technologies such as 3D printing, artificial intelligence (AI), and computer-aided design (CAD) offer new possibilities for artistic exploration and efficiency, they also pose challenges to traditional craftsmanship and market valuation. This study the examines the evolution of ceramic art from traditional practices rooted in the Chinese culture to digital fabrication techniques with a particular highlight on tools such as 3D printing, AI and CAD. The research, using the Technology Acceptance Model (TAM), investigates how these technologies have influenced the creative process, manufacturing process, professional growth and overall industry reception among ceramic artists, students and educators in China. Using a quantitative approach the study gathered data from ceramic artists, students and educators through surveys to analyse their perceptions of digital tools. The research also explored perceived economic implications of the introduction of digital tools, assessing possible impacts on valuation. The findings echo the notion that while digital tools offer a wide range of enhancements, they equally introduce concerns regarding preservation of traditional craftsmanship. A generational divide was also noted, with younger artists readily adopting digital tools while the older artists expressed more concern. The results also note that the is a perception of value skewing due to digital tools, with tools making creative and manufacturing processes faster but potentially reducing the value of products. The study concludes that a balanced approach is required to integrate digital technology in ceramic art without compromising traditional artistic values. It provides an essential foundation for artists, educators, and policymakers to navigate the evolving relationship between art and technology while preserving craftsmanship and cultural heritage.
| Item Type: | Thesis (Doctoral) |
|---|---|
| Supervisor : | Ismail, Adzrool Idzwan |
| Item ID: | 12059 |
| Uncontrolled Keywords: | Chinese, Ceramic art, Digital tools, Art innovation, Technological Integration |
| Subjects: | N Fine Arts > NK Decorative arts Applied arts Decoration and ornament T Technology > TP Chemical technology |
| Divisions: | Awang Had Salleh Graduate School of Arts & Sciences |
| Date Deposited: | 29 Mar 2026 03:20 |
| Last Modified: | 29 Mar 2026 03:20 |
| Department: | Awang Had Salleh Graduates School of Arts & Sciences |
| Name: | Ismail, Adzrool Idzwan |
| URI: | https://etd.uum.edu.my/id/eprint/12059 |

